ÌÀÐÕÈ
ËÈ×ÍÛÉ ÊÀÁÈÍÅÒ ÑÒÓÄÅÍÒÀ
ÇÎËÎÒÀß ÌÅÄÀËÜ ÌÀÐÕÈ 2023
ÏÐÎÅÊÒÍÛÅ ÃÐÓÏÏÛ III ÊÓÐÑÀ 2023/2024 ó÷. ã.
ÊÎÍÔÅÐÅÍÖÈÈ 2023-2024
ÊÎÍÊÓÐÑ ÏÏÑ
2024 - ÃÎÄ ÑÅÌÜÈ
Êðàòêîñðî÷íûå ïîäãîòîâèòåëüíûå êóðñû 1.5 ìåñÿöà
ÂÌÅÑÒÅ ÏÐÎÒÈÂ ÊÎÐÐÓÏÖÈÈ
ÔÀÊÓËÜÒÅÒ ÏÎÂÛØÅÍÈß ÊÂÀËÈÔÈÊÀÖÈÈ
ÑÒÀƨРÌèíîáðíàóêè Ðîññèè
ÓÍÈÂÅÐÑÈÒÅÒÑÊÈÅ ÑÓÁÁÎÒÛ
Âñåìèðíûé ôåñòèâàëü ìîëîä¸æè 2024
ÍÀÖÈÎÍÀËÜÍÛÉ ÏÐÎÅÊÒ "Íàóêà è Óíèâåðñèòåòû"
ÇÀÙÈÒÀ ÏÐÀÂ ÍÅÑÎÂÅÐØÅÍÍÎËÅÒÍÈÕ Â ÑÅÒÈ ÈÍÒÅÐÍÅÒ

2(31) 2015


English version Russian version



ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES
INTERNATIONAL ELECTRONIC SCIENTIFIC - EDUCATIONAL JOURNAL ON SCIENTIFIC-TECHNOLOGICAL AND EDUCATIONAL-METHODICAL ASPECTS OF MODERN ARCHITECTURAL EDUCATION AND DESIGNING WITH THE USAGE OF VIDEO AND COMPUTER TECHNOLOGIES


Article METHODOLOGY OF COMPUTER-CURVE ANALYSIS OF THE PROPORTIONS OF WORKS OF ARCHITECTURE AND PAINTING
Authors V.I. Sazonov, Novosibirsk State Academy of Architecture and Fine Arts, Novosibirsk, Russia
Abstract Theme curve analysis of proportioning works of architecture, painting, and all spatial arts implies a deeper task of identifying precisely harmony-grammar structural organization of artistic works. Therefore, in this article, we believe its purpose briefly present the research and the practicing professional community compressed generalized the end result metodologimethodological study based on computer modeling. First, to explain and to visually identify the author's holistic concept graphic analysis of variance harmony grammar on the example of two masterpieces of architecture and two masterpieces, performed by students of the 2nd course NGAHA during the scheduled classes and concise program. Secondly, to provide the tools and methods of analysis which have been tested on a large material in long-term educational and research process. For this purpose, the pre and summarised and graphoanalysis presents fundamental theoretical and empirical justification of the author's approach, including the psychophysiology of perception.
Keywords: the proportioning, harmony grammar of the language of architecture, the Golden section, √2, of ancient origins, the unity of views, handwriting analysis works on the basis of computer modeling
article Article (RUS)
References
  1. Sazonov, V.I. Universalnaya geometricheskaya struktura modulnosti arhitekturnogo prostranstva [Universal geometrichenskaya modularity structure of architectural space. The journal "Proceedings of the universities. Construction and Architecture"]. Novosibirsk, 1977, no. 8, pp. 52-60.
  2. Sazonov, V.I. Geometricheskaya garmoniya kak edinyiy arhitekturno-stroitelnyiy yazyik i grammatika [Geometric harmony as a single architectural and building language and grammar. The Journal "Proceedings of the universities. Construction"]. Novosibirsk, 2002, no. 12, pp. 96-103.
  3. Yarbus, A.L. Rol dvizheniya glaz i protsess zreniya [Process and the role of eye movements]. Moscow, 1965.
  4. Aleksandrov, V.V., Gorskiy N.D. EVM vidit mir [The computer sees the world]. Leningrad, 1990, 139 p.
  5. Demidov, V. E. Kak myi vidim to, chto vidim [How do we see what we see]. Moscow, 1979, 208 p.
  6. Glikin, Ya.D. Metodyi arhitekturnoy garmonii [Methods of architectural harmony]. Leningrad, 1979, 96 p.
  7. Barbyishev, E.N., Somov G.Yu. Formoobrazuyuschie strukturyi i arhitekturnaya forma [Massing structure and architectural form. The Journal "Architecture of the USSR"]. 1990, no. 2, pp. 74-79.
  8. Glazyichev, V.L. Kompozitsiya kak myislitelnaya deyatelnost (K postanovke problemyi) [The composition as intellectual activity]. Moscow, 1986.
  9. Ribakov, B.A. Arhitekturnay matematika drevnerusskih zodchih. Iz istorii kulturi Drevney Rusi [Architectural mathematics of ancient Russian architects]. Moscow, 1984.